Everywhere is something which could be beautiful. You must only learn to see and to know what and how to take off, to crop from the infinity – abstract, fine art, nature, landscape and portrait photography.~Florin Constantinescu
Quick Tips to Make Something Look More Abstract
1. An effective method is to crop out visual references that will immediately identify the subject.
2. Find something in your subject that shows clean shapes or lines.
3. Look for repeating patterns in your subject that you can focus on because they provide a sense of balance to the shot.
4. Light and shadows is a great tool in creating an abstract shot.
5. Use colors to give more impact.
~Allan Peterson from his article Abstraction in Photography
(Note: the above are short extracts; to read the full article please click on above link)
The Power of the Selective Focus Technique
If you’re searching for an easy but effective abstract photography technique, selective focus is the technique for you. A narrow depth of field is achieved by the selection of a large aperture. The camera is then focused on the center of interest of the image. The rest of the objects in the image will fade into a soft blur.
There are two things which can be done to make your images even more notable when utilizing this technique. First, the color of the background should be different from the center of interest. The second point is that the center of interest can be made even stronger by using curves to point toward the center of interest.
The Use of Light and Shadows
Using the interplay of light and shadows can create drama in an image. Now, some photographers tend to think only in terms of light. This is a mistake — for light is nothing without shadows. Shadows are not just a lack of light. Instead, shadows function to make the light come to life. It is the shadows that shape the light, that draw attention to the light, and that integrate with the light to produce striking photographic opportunities. This is especially true with abstract images.
So, what is the shadows’ role in this technique? The primary role of the shadows is to help to define the forms. In other words, the shadows’ role is to help the forms to stand out. Consequently, it should come as no big surprise that the more interesting the objects in an abstract image, the more likely that the image will be successful. The shadows then function to make the more prominent.
~Ron Bigelow from his article Abstract Photography Tips and Techniques
We’ve learned that abstract images are beyond descriptions and definitions. Subjects may not be obvious and understandable at all. I have read many articles on abstract photography and have experimented on a lot of shots and they all point to these – the use of imagination and seeing beyond the literal. I never intended some of my shots to be abstracts. Who would have thought the above picture of the center of a basketball court would look nice when zoomed in and cropped, or the photo below showing the subtle flow of water in a shallow stream. Many think that abstract images, bereft of messages to convey, are simply easy snaps. For me, they are the hardest of photographic genres simply because you have to be more perceptive of the things around you, and sharply receptive of any stimuli in the environment – a color that stands out, a pattern that is formed, an object in contrast, textures that produce interesting details, a crease here, a crumple there, a crack in the walls, ripples in water, shapes in the foliage – oh the subjects and ideas are endless. But often they are unnoticed, and not any crease, crumple, crack or ripple will do. You still have to compose and frame, all of which must be compelling. It takes an observant eye to find something out of relative nothingness. And the trained photographer can capture something undefined. That is the spark of abstract photography.
Thank you all for the follows, likes and visits last week during our picture series on “Shapes.” Another week and we begin another series. We go “Abstract” photography all week long. I’m reposting an article I did last January 3, 2013 titled Going Abstract: The Rules.
Aw heck, what a title! There are no rules. There are no descriptions. Abstract photography, like its cousin abstract art, defies definition. The content is not even important. You may not even make out what the subject is. And viewers may have that quizzical frown on their faces when looking at abstract work. They may not understand what the picture is all about, but what they can understand and connect with are these: the color, the shape, the form, the lines, the patterns and textures – essentially, these are elements of composition which we have tackled numerous times in previous posts. In abstract photography, forget what you are trying to convey and discard the message. Just make sure the image is visually engaging. Easy does it! Yet, how do we go about in pursuit of abstract photography? Time again to stack up on our learning. Freelance photographer Simon Bray shares some insights in his piece Creatively Approaching Abstract Photography. In his opening paragraph he mentions: “you don’t need any sort of special equipment, just a camera, any camera you like, and your imagination.” The article is divided into the following, with accompanying concise explanations: 1) What is abstract photography? 2) It’s all in the approach 3) Break the rules (again?, emphasis mine) 4) Pattern and Line 5) Form 6) Color 7) Working with architecture 8) Abstract and Macro 9) You’re an artist, and 10) Get out and give it a go! In almost all photography articles I have shared in this blog, the last tip is usually the same but only differs in wording. Ultimately it’s go right in and try it out for yourself. Versatile photographers can shoot any subject, but the great ones made their mark excelling in a particular genre. You may be gifted, but you’ll never know at what you are a genius of – macro, abstract, nature, portrait, street, wildlife, events – if you don’t go and dive right in.
Wishing everyone a wonderful week ahead!
In many ways shooting only colour can make you lazy and not pay as much attention to the shot as you could. My love of black and white makes my colour work better too.~Keith Cooper
These photos were taken earlier in the week during a local festival. People were in colorful, native attire. But that’s just it, I get color fatigue after featuring full vibrant pictures the whole week. If you’re new to this blog, I reserve weekends for monochrome, a respite from the magnificence of color and a return to the striking simplicity of black and white. Since these are festival images, expectedly they are filled with people and details rendering them almost a dissonance of forms, a disarray of shapes. Yet in black and white, one still finds order – a harmony of mood, expressions, movement and drama. No wonder black and white is the preferred medium for portraits, photojournalism, street and people photography. It cuts through the clutter and presents purity even with subjects in seeming disorder. It was father of Canadian photojournalism Ted Grant who said:
When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!
All the best to everyone! Keep on clicking!