Here’s a run-down of the most common elements that you should look for when identifying a suitable subject for the black-and-white treatment. Remember that these elements can be used individually, or even combined to produce marvellous mono images with clout.
1. Contrast, shape & form
One of the fundamental aspects of black and white photography is that your whole composition relies on contrast (for on composing images, see our 10 rules of photo composition – and why they work). For this reason, look out for subjects that feature simple, strong lines and shapes. It’s often the shadows that define shape and form, so pay attention to areas of darkness, as well as light.
Black and white photos actually include a whole range of greys, which add subtlety to your images. Normally, you look for subjects that will translate into a range of tones from black to white, but you can also get great results where the subject is mostly light (high-key) or dark (low-key).
3. Texture and detail
Fine detail, or strong textures such as weather-beaten stone, foliage or clouds, can help to give your black-and-white shots depth and interest. Strong side lighting is perfect for bringing out the texture in any subject. You can use strong natural light, or get creative with flash to create sidelighting on the subject.
4. Graphic composition
Black-and-white images need strong compositions to really work. Keep an eye out for strong lines or features in your scene that can be used as leading lines, or positioned diagonally across the frame to create dynamic images.
~Black and White Photography: What Every Photographer Should Know
Wishing you all a refreshing and invigorating weekend!
Whether abstracts or straight ahead photography, or whatever genre for that matter, we are attracted to lines and shapes. These are powerful compositional elements which, combined with dramatic lighting and stimulating colors, provide interest in images. We don’t search for lines and shapes. For the keen photographer, it is almost second nature to spot such elements, along with textures, patterns, forms, shadows and highlights. The photographer’s “third eye” is always on the look out, it doesn’t turn on and off. It is ingrained in his system to notice and discern what is interesting and what will work out. He may see a subject in its grandiose totality and as a composite whole, but he will also eye the subject’s parts and areas that may carry distinct forms, details and character. Here are samples:
It has been one great week of photographic abstractions. I hope you enjoyed this week’s picture series. Thank you all for the visits, views, likes, comments and follows. Always, we must have fun in our photography and at the same time learn and develop it, maybe not to staggering, earth-shattering, legendary levels (anyway, most of us are not professionals) but simply to a point where we can be satisfied and proud of our work and make it worthy to be shown and shared to our online viewers. Keep on clicking my friends!