Wishing all of you a splendid weekend! Thank you for the visits, likes, follows and comments during our Islands Week. Keep on clicking my friends!
Wishing everyone an enjoyable weekend!
A sunset can be your point of interest. But then that’s just that – sun, sky, clouds, colors. Those elements may be more than enough to carry an image. Yet there are times a sunset can be an interesting backdrop, an exciting candy-colored canvas playing an important supporting role to a main subject. Why this approach? Since sunsets are often paired with sweeping horizons, putting a focal point in your foreground or middle ground indicates scale and vastness. You present an earthly dimension of size, the broadness of nature. Another thing is you ramp up your composition, arranging elements with the the use of perspectives (foreground against a background), placing main subjects in relation to minor ones (framing or rule of thirds), and presenting a general point of view (vantage points or elevated shots). You work out your shots with sunsets. You are given precious few minutes from observation to execution when the sun mellows down and dips into the horizon. And you can take on either or all approaches in a way that is interesting and captivating. You can never go wrong capturing a sunset scene. But everything can go wrong if you don’t know how to.
We all know that sunsets are the best time to create silhouette shots. So how do we go about this? Keep an eye out for distinct shapes, forms and outlines, or you can use silhouettes to frame an image. If you can’t nail it in manual, use the “sunset” mode (one of your camera’s preset shooting modes) that way your camera does all the analyzing to get the right white balance, exposure and other optimal settings for sunset situations.
Another week and another picture series, this time on one of my all-time favorite subjects – sunsets.
I wrote this piece titled Do The Math on April 27, 2013 and I’m reposting it.
Those few minutes before the sun finally dips into the horizon will give you some deep contrast. It’s where the darkness of ensuing night conquers the last remaining light of day. And depending on the weather, cloud formation and where the rays fall, it can give you an exquisite canvas of colors, light, silhouettes and shadows.
I have said before that I’m not a morning guy, hence I have just a few sunrise shots. But I have a whole collection of sunset scenes – reminders of the cyclical nature of life, of the eternal passing of time divided into a 24-hour day. I remember this quote from American photographer Galen Rowell:
“There are only a fixed number of sunrises and sunsets to be enjoyed in a lifetime. The wise photographer will do the math and not waste any of them.”
I would like to think that the wise photographer is the thinking photographer that we should all strive to be. Whether we have reached that level or not yet, it would add to our experience, satisfaction and skill to capture one of the most spectacular displays of nature afforded us on a daily basis. When the opportunity to photograph a great sunset is there, yes, we should not pass it up. We should “do the math.”
Wishing you all a splendid week ahead!
My subject, the boy in his banca (local canoe), is out of focus. That is obvious enough. Well, I was in another banca rocking and swaying in that late afternoon when the waters were rising and the tides were becoming restless when I took this shot. I wasn’t in a stable and steady footing in the first place. When I reviewed this image in my computer I was tempted to delete it. However, I had second thoughts simply because taking the picture as a whole I thought was greater than the sum of its parts. The cloud formation, the colors of a sunset peeking through the horizon, the portion of an island, and the subtle green waters were enough to convince me to keep this. Maybe I exact a high standard for myself when it comes to image making, which is good as I see every photographic opportunity as a challenge. But heck, I don’t work for National Geographic hence my photos need not be perfect. In relation to that, my audience and perennial critic first and foremost is myself. A slightly blurred subject in a most captivating environment is, for me, passable. Why? Because I like it.
I photograph things which I want to look at a little longer.~Gunnie Moberg