The best photo images are not taken anyway, they are “made,” and I have always thought that learning photo composition is not that much more different than learning anything else. Some people just catch on faster than others, but eventually with practice most people can do it. How long that will take mostly depends on how you go about it. The only real way to practice composing an image is by recording them on film, or digitally, so that you can see what you did right, and what you did wrong? It is actually all of your mistakes that teach you how to do it right the next time. However, just slapping a lens on your camera and shooting away is not the answer either. As the saying goes, “There has to be a method to the madness.”~by Paul W. Faust from his article The Art of Seeing: An Exercise in Photo Composition
After nearly two months, I missed a lot – this blog and the great WP community of photo blogger peers – that’s all of you my friends! My apologies, I’ve been bogged down by online work. But my deepest thanks to all who commented, liked and visited during my absence. I’ll try my best to go around and visit your blogs during my free time. Keep on clicking everyone!
Wishing all of you a splendid weekend! Thank you for the visits, likes, follows and comments during our Islands Week. Keep on clicking my friends!
Principles of Visual Dynamics
If you like rules, remember exceptions prove the rules. Being too insistent on the application of hard and fast rules can blind you to many exceptional opportunities. If you don’t like rules, remember that while there are no absolutes there are forces at work that have consistent tendencies. Denying or ignoring universal principles will lead to unpredictable unrepeatable results; you’ll achieve success far less frequently and be far less able to repeat your successes.
Forget rules. Forget absolutes. Forget musts. Instead develop an awareness of visual principles. Look for the unique power each element has to influence a composition. Develop a sensitivity to how elements and combination of elements make the forces at work in a composition stronger or weaker. Instead of composing formulaically, you’ll then be able to improvise. Understanding the principles of visual dynamics will help make your decision making process more informed, it will not make choices for you. Awareness is the key. Better awareness brings better choices bringing better results.
~John Paul Caponigro from his article Photographic Composition: Introduction
These are actual island dwellers I’ve encountered during my travels to far-flung provinces. They are fishermen, children, kids – people who live simple lives and enjoy their natural surroundings. They don’t have elegant homes, fashionable clothes, regular work or a lifestyle to speak of. I don’t even think they have cellphones. In the first place there are no signals in these remote places. What do they have? An affinity with nature that we, dwellers of the metropolitan jungle, so obviously lack. And the barest of their needs to live a life are aptly provided for by nature’s resources, right at their doorstep. God bless these island dwellers, these people of the sea.
When you’ve got islands, unless they are rock formations protruding out from the sea, then you’ve got beaches. What do you do? Plunge right into those inviting waters? Shoot First, Swim Later was the title of my post last October 30, 2012. I’m reposting it:
My country, the Philippines, has 7,100 islands. Put all those coastlines together and it will stretch for 23,000 kilometers, the third longest in the world. As a tropical country, it’s literally beach time all year round. Hence the beach, found everywhere, pristine in its natural beauty, is a mainstay subject of mine. Water, sand, sea, tides, shells, corals, sunny skies, palm trees, all these converge to create an inviting, colorful and exotic environ deserving of the pages of a travel magazine. In fact, we have some of the best beach and diving locations in the world. So how exactly do we photograph the beach, coast and shorelines? We know these images as seascapes. Darren Rowse, founder of the online Digital Photography School, jots down 10 Beach Photography Tips which include looking for focal points, watching the horizon, using flash and filters, utilizing black and white and many others. Unless you live there right by the sea, the chance to be at a scenic coastline or beach must not be passed up. You will be guided by your accumulated knowledge of what to shoot, when to shoot and things to look out for to get that postcard-perfect shot. (Photo location: Alubihod Beach, Guimaras Island)
With over 600 posts, all of them with pictures, I have quite a number of island images. Some of those images used in this blog as well as those from my collection are featured in Junsjazz Digital Magazine Issue #3. Now here’s where I curate myself, I went over these previous postings and picked some of the best island pictures (which may be familiar to you if you have followed this blog from early on). In keeping with this week’s picture series I present them again. Here are personal picks. Enjoy!
When I posted the above image at a popular photo sharing site, a viewer commented: “Wow! You captured the whole island!” Well, not really, just one area of the island which happens to be its most visible part. It’s because motorboats and their passengers pass along this sea route on their way to the main island some two hours away. I don’t know if other corners of the island are as gorgeous, but I should say the above area looks the part of a tropical Eden, unspoiled and untouched (unlike the famous Boracay Island which is teeming with people).
Imagine yourself in the island above, lying on the beach, feeling the warm caress of white, powdery sand on your skin as the balmy wind tempers the midday sun and sways the lush palms. Then you arise and dive into those tempting waters, practicing your strokes against the incoming tide. Later you retreat to the natural shade and get your fill of ripe, juicy mangoes, papaya, avocado and of course the coconut fruit…this is gastronomic heaven. Your eyes feel heavy and the cool hut beckons…with the sweet singing of birds above and the soothing sound of the surf below, you get to dreamland…fast. This is back-to-basics living, without your smartphone, tablet, laptop, music player or radio or whatever gadget. I can live with that, but not without my camera!
Another week and another picture series. The Philippines as an archipelago has 7,100 of them jutting out like pearls from the sea. Some are world-renowned destinations but we’ll explore those that don’t have hotels, bars and cabanas on the beach. We’ll go to the untrodden places, quiet, peaceful and free, and where time seemingly stands still. Welcome to Islands Week!
Wishing everyone an enjoyable weekend!
I can say that I’ve just been plain lucky to chance upon gorgeous sunset scenes. You can’t gamble with the weather and atmospheric conditions, they are as fickle as they can be. One minute it’s sunny, another minute it’s cloudy. I’m the fatalistic type, if serendipity is on your side you’ll be presented with a heavenly, once-in-a-lifetime scene. If not, better luck next time. It just so happen that with my outdoor sojourns I am sometimes greeted with spectacular sunset sceneries and, for a photographer, these are manna – blessings from heaven – scenes that I may not see again. And rightly they are rare, unique occurrences. There is never the same sunset everyday. Each is a special daily spectacle. You may have the chance or luck to be there, at that moment, or you may not. When given the chance, you just have to be ready to capture nature’s stunning, colorful display. A quote comes to mind – chance favors those who are prepared, something like that. I am always alert and mindful of photographic opportunities, knowing that I may not see the same scene again. It helps to have foresight and quick, deliberate decisions as you never know what unforgettable views you may encounter.
A sunset can be your point of interest. But then that’s just that – sun, sky, clouds, colors. Those elements may be more than enough to carry an image. Yet there are times a sunset can be an interesting backdrop, an exciting candy-colored canvas playing an important supporting role to a main subject. Why this approach? Since sunsets are often paired with sweeping horizons, putting a focal point in your foreground or middle ground indicates scale and vastness. You present an earthly dimension of size, the broadness of nature. Another thing is you ramp up your composition, arranging elements with the the use of perspectives (foreground against a background), placing main subjects in relation to minor ones (framing or rule of thirds), and presenting a general point of view (vantage points or elevated shots). You work out your shots with sunsets. You are given precious few minutes from observation to execution when the sun mellows down and dips into the horizon. And you can take on either or all approaches in a way that is interesting and captivating. You can never go wrong capturing a sunset scene. But everything can go wrong if you don’t know how to.
We all know that sunsets are the best time to create silhouette shots. So how do we go about this? Keep an eye out for distinct shapes, forms and outlines, or you can use silhouettes to frame an image. If you can’t nail it in manual, use the “sunset” mode (one of your camera’s preset shooting modes) that way your camera does all the analyzing to get the right white balance, exposure and other optimal settings for sunset situations.
Sunsets are panoramic-friendly. How best to capture that sweeping vista of colorful sky and horizon than through a panoramic shot. Here are sunset images at 16:9 aspect ratio.
Another week and another picture series, this time on one of my all-time favorite subjects – sunsets.
I wrote this piece titled Do The Math on April 27, 2013 and I’m reposting it.
Those few minutes before the sun finally dips into the horizon will give you some deep contrast. It’s where the darkness of ensuing night conquers the last remaining light of day. And depending on the weather, cloud formation and where the rays fall, it can give you an exquisite canvas of colors, light, silhouettes and shadows.
I have said before that I’m not a morning guy, hence I have just a few sunrise shots. But I have a whole collection of sunset scenes – reminders of the cyclical nature of life, of the eternal passing of time divided into a 24-hour day. I remember this quote from American photographer Galen Rowell:
“There are only a fixed number of sunrises and sunsets to be enjoyed in a lifetime. The wise photographer will do the math and not waste any of them.”
I would like to think that the wise photographer is the thinking photographer that we should all strive to be. Whether we have reached that level or not yet, it would add to our experience, satisfaction and skill to capture one of the most spectacular displays of nature afforded us on a daily basis. When the opportunity to photograph a great sunset is there, yes, we should not pass it up. We should “do the math.”
Wishing you all a splendid week ahead!
Wishing you all a refreshing and invigorating weekend!
Whether abstracts or straight ahead photography, or whatever genre for that matter, we are attracted to lines and shapes. These are powerful compositional elements which, combined with dramatic lighting and stimulating colors, provide interest in images. We don’t search for lines and shapes. For the keen photographer, it is almost second nature to spot such elements, along with textures, patterns, forms, shadows and highlights. The photographer’s “third eye” is always on the look out, it doesn’t turn on and off. It is ingrained in his system to notice and discern what is interesting and what will work out. He may see a subject in its grandiose totality and as a composite whole, but he will also eye the subject’s parts and areas that may carry distinct forms, details and character. Here are samples:
It has been one great week of photographic abstractions. I hope you enjoyed this week’s picture series. Thank you all for the visits, views, likes, comments and follows. Always, we must have fun in our photography and at the same time learn and develop it, maybe not to staggering, earth-shattering, legendary levels (anyway, most of us are not professionals) but simply to a point where we can be satisfied and proud of our work and make it worthy to be shown and shared to our online viewers. Keep on clicking my friends!
Everywhere is something which could be beautiful. You must only learn to see and to know what and how to take off, to crop from the infinity – abstract, fine art, nature, landscape and portrait photography.~Florin Constantinescu
We’ve learned that abstract images are beyond descriptions and definitions. Subjects may not be obvious and understandable at all. I have read many articles on abstract photography and have experimented on a lot of shots and they all point to these – the use of imagination and seeing beyond the literal. I never intended some of my shots to be abstracts. Who would have thought the above picture of the center of a basketball court would look nice when zoomed in and cropped, or the photo below showing the subtle flow of water in a shallow stream. Many think that abstract images, bereft of messages to convey, are simply easy snaps. For me, they are the hardest of photographic genres simply because you have to be more perceptive of the things around you, and sharply receptive of any stimuli in the environment – a color that stands out, a pattern that is formed, an object in contrast, textures that produce interesting details, a crease here, a crumple there, a crack in the walls, ripples in water, shapes in the foliage – oh the subjects and ideas are endless. But often they are unnoticed, and not any crease, crumple, crack or ripple will do. You still have to compose and frame, all of which must be compelling. It takes an observant eye to find something out of relative nothingness. And the trained photographer can capture something undefined. That is the spark of abstract photography.
Wishing everyone a lovely weekend!
Butterflies are shapely and colorful creatures. However, like all other winged critters, they just don’t get to be still that long. But when they do, even for mere seconds, the photographer will snap away. Here are samples from my butterfly collection.
Every image needs strong underlying compositional order so that it grabs the eye from a hundred feet away…If it can’t grab the eye from a distance, it will never be an interesting photo, regardless of how many fine details it might have. Details don’t matter if there’s no story behind it.~Ken Rockwell
It is said that there are no hard edges in nature. Shapes made by nature are mainly curves, bends, flows, domes, circles, arches and arcs. Yes there may be thorns, barbs, quills and thistles, but the preponderance are smooth outlines and soft forms. That’s why we are attracted to nature because in it we find visually stimulating, pleasing and shapely elements – leaves, flowers, shells, stones, trees, clouds, mountains – even the source of light and life itself, the sun, is one great ball of fire. Here is another collection of shape-inspired images (some are new while some are from previous postings). All are nature’s creation.
I wrote and posted this on March 4, 2013. I’m reposting it to further enhance our knowledge on “Shapes” (our picture series this week) and how it impacts on our photography.
Organic shapes are also called curvilinear that are made up of curves, angles or both. Their main characteristics are curving appearance and smooth flowing outline. They look natural and are mostly found in leaves, flowers, plants and animals. Organic shapes are out there in the natural world, created by the environment. Being free form, they don’t have uniformity and perfect measurements. Which is the exact opposite of geometric shapes. Although they may also appear in nature, geometric shapes are products of man – rectangles, squares, triangles – which are building blocks of design and construction. With the technological revolution, man can now create structures and buildings mimicking organic shapes. What’s in it for our photography?
Shapes are compositional and design elements that are visually appealing. Going for the soft curves of organic shapes or the hard corners of geometric shapes, and partnering them with the right colors, lines, patterns and light will create captivating images. A photographer once said that the eye traffics in feelings, not in thoughts. Feelings are triggered by what we see and sense. A visual stimulus of delightful shapes properly composed will evoke an equal emotional response of joy, gladness and a sense of well-being.
From more than 600 pictures I have posted in this blog since October 2012, I sifted through and picked a dozen images (actually there’s a lot more) with subjects in various shapes and forms. All are man-made.