It was in the world news early this week. Last Tuesday at 8:10 in the morning, a 7.2 magnitude earthquake struck the tourist island province of Bohol situated in the central Philippines. The power of such temblor was equivalent to 32 atomic bombs, and it flattened houses, crumbled buildings, destroyed bridges, cracked roads and, as of last count, claimed the lives of over 170 people, mostly buried under piles of rubble. The death toll is expected to mount as more bodies are retrieved from under collapsed structures. I have featured Bohol (and the nearby province of Cebu which was also heavily affected) in many previous posts. Both provinces are popular tourist destinations. Bohol in particular is known for its Chocolate Hills , the rare Tarsier, the green Loboc River, pristine beaches and its centuries old churches. Aside from the lives that were lost, the nation grieves with the destruction of 10 heritage churches, all priceless national treasures, some dating back to the 1500s. I had the opportunity to photograph some of these beautiful churches during my early travels, and below I have paired my pictures of them with the pictures I saw in the news in the aftermath of the quake. For us photographers who enjoy capturing old, historic structures, these are heartbreaking sights:
These old churches were built with materials during those times – coral stones, mud bricks, limestones – and are most fragile. Throughout their history, they have been subjected to fires, typhoons, previous earthquakes and even World War II. They were the first to come down during the powerful quake this week. Experts are assessing if some of them can be rebuilt, while others like the Loon Church which was flattened, may have a new church built on the site. I am quite fortunate to have captured the beauty and grandeur of these churches in their original condition before the disaster. Now I have them immortalized in images, and preserved in my memory as I saw them in their full glory.
Note: These churches are featured in Junsjazz Images & Inspiration Digital Magazine Issue #2.
After nearly two months, I missed a lot – this blog and the great WP community of photo blogger peers – that’s all of you my friends! My apologies, I’ve been bogged down by online work. But my deepest thanks to all who commented, liked and visited during my absence. I’ll try my best to go around and visit your blogs during my free time. Keep on clicking everyone!
Why is architectural symmetry so satisfying? As Leonardo da Vinci’s famous drawing demonstrated, it reflects the human body, which has a right side and a left, a back and a front, the navel in the very center. Du Sautoy writes that the human mind seems constantly drawn to anything that embodies some aspect of symmetry. He observes that “[a]rtwork, architecture and music from ancient times to the present day play on the idea of things which mirror each other in interesting ways.” When we walk around a Baroque church, we experience many changing views, but when we walk down the main aisle—the line along which the mirror images of the left and right sides meet—we know that we are in a special relationship to our surroundings. And when we stand below the dome of the crossing, at the confluence of four symmetries, we know we have arrived.
~Witold Rybczynski from his article Mirror Images: Why is symmetry so satisfying?
This excerpt was taken from my post last Oct. 14, 2012 titled Solemn Sanctuaries:
I always have this fascination for church structures, the older and bigger, the more interesting. They are such imposing landmarks with their towering belfries, ornate decors and massive interiors, fulfilling their roles as venerable venues for the faithful, and solemn sanctuaries for the Lord’s flock. The Philippines is a showcase of ancient churches, cathedrals and basilicas. As the only predominantly Catholic country in Asia, churches big and small, old and new abound all over the Philippines.
Yes folks, we revisit the churches, cathedrals and basilicas in my image collection, and how it is to capture the grandeur and details of these architectural landmarks. Welcome to another of JJ’s picture series. Have a splendid week ahead my friends!
The picture below was taken at Baluarte, a seaside park in the tourist island province of Bohol in central Philippines. When I reviewed the picture in my computer, it was far from what I saw on that day. My picture was bland and boring. It had to undergo post-processing to highlight the colors and details to more or less approximate the actual scene. How do we go about capturing the realism of a scene when we first saw it?
Kimball Larsen shares some pointers in his article 10 Photography Tips To Better Capture What You See. They are the following:
1. Decide on a clear center of attention
2. Remember that your eye has a better dynamic range than your camera
3. Aperture control for DOF
4. Careful composition to either expand upon or contract the feel of the photo
5. Be ready – moments come and go quickly
6. Understand the exposure triangle
7. P is not for “Professional”
8. Pay attention to your light sources
9. Always check your camera settings
Again I suggest you go over the article and read Larsen’s descriptions on each tip. Giving thoughtful consideration to the above items will greatly improve our picture-taking. It helps elevate us to the level of a thinking photographer, deliberate and confident that our every shot will result in a faithful capture of what we saw. Happy shooting this weekend!
The camera is an engineer, not a poet.~Joe McNally
The irony is that landscape photography is extremely difficult to do well. You’re relying not only on finding beautiful landscapes to photograph, but being there at the same time the weather and light are working together to create the conditions that you can use to photograph the landscape in a way that fulfills your creative vision. It takes a dedication that most of us don’t have.
When we’re in a landscape, we see it in colour. Black and white photography strips away the colour, leaving the bare bones. The features of the landscape, such as rocks, trees and mountains, become compositional elements made up of light, texture and tonal contrast. Black and white is beautiful. The photo becomes an interpretation, rather than a literal representation, of the landscape. We’re seeing the artist’s personal vision, and emotional response to the landscape, as well as the place itself.
~Andrew Gibson from his article How To Capture Stunning Fine Art Landscape Photographs