As for all the arts and works emanating from the heart and mind, we need that spark for our creations. Like wordsmiths who can have writer’s block, image-makers on occasions can also feel unimaginative and face a blank canvas. Here’s how I counter such moments of drudgery and awaken a sleeping creativity.
1. Go on location
The most enthusiastic lensman can capture exquisite images right from his home or backyard. But sometimes it takes a trip outside into the big wide world to give us photographic ideas and insights. Nature never fails to inspire the artist in us. It may not be a grand adventure or expedition but simply a walk in the beach, fishing by the lake, a picnic on a forest reserve. The breath of fresh air and views of new surroundings is sure to stimulate senses and get you grabbing that camera, seeing the world through the viewfinder.
2. View works of the masters
Bless the internet as we can see in an instant the works of the legends – Ansel Adams, Henri-Cartier Bresson, Diane Arbus, Annie Leibovitz and many more. Professionalphotographer.co.uk lists 100 Most influential photographers of all time with links to their works. I get a kick reading on their biography, how they started in photography and how they found their style. Viewing their masterpieces, for me, is an enriching experience. We may never get to reach their level, but surely we can learn a thing or two from their pioneering and innovative efforts.
3. View works of enthusiasts
The masters may teach us, yet it is the works of like-minded photography enthusiasts that influences me and keeps me grounded on reality. At this time when everyone with a smartphone can snap any picture, I actually explore Flickr and other photo sites as well as pages of photo bloggers here at WordPress, looking out for those exceptional images that stand out. I read about the photographer, their experiences, the camera settings they use to take images. It thrills me that I can be of the same level with outstanding enthusiasts, as I can never be with the masters.
4. Join a camera club
We may be members of online groupings, participating in chats and forums to learn from others. However, nothing beats joining a physical camera club where you get to brush elbows with friends and peers. Social engagement is now taken for granted what with all the social media sites around. But “facebooking” or “flickring” is never like the inspired experience of an actual photo shoot/photo walk with your club buddies.
5. Be alone
Social is good. But the clutter and chatter of our fast-paced, noisy environment distracts us from the art of “seeing” or “sensing.” I found that a place of quiet and contemplation, where the soul can be calm and the mind refreshed, can unleash imagination and vision.
Creativity is not an on or off thing like a toggle switch that can be activated at the flick of a finger. Artists are an emotional and expressive batch and they can have moods, sometimes bountiful with a wellspring of inspiration flowing continuously, at times dark and empty, an abyss of nothingness. There are moments we need to find our muse and there are things we can do to realize that. How about you, where do you draw inspiration for your images?
Have a great week ahead!
The most active of shapes use diagonal lines – the triangle is an eye-catching building block for your picture. Its three sides also introduce odd numbers into the photographic vocabulary. As well as triangular-shaped subjects, think about the structure of your photograph – are there three elements you could join together with imaginary lines to form a triangle?
Four sided shapes such as squares and rectangles mirror the four sides of the picture frame – there’s no conflict there, so the viewing experience isn’t as absorbing. However, they can be used alongside diagonals and triangles to produce a more exciting image.
~Digital Camera Magazine: Master Composition
Every image needs strong underlying compositional order so that it grabs the eye from a hundred feet away…If it can’t grab the eye from a distance, it will never be an interesting photo, regardless of how many fine details it might have. Details don’t matter if there’s no story behind it.~Ken Rockwell
1. Great B&W images tend to be simple, with their main components isolated and easy to identify.
2. Great B&W images tend to have depth and dimension – usually accomplished by creating visual layers that extend from the foreground to the background and all points in between.
3. Great B&W images rely on shape and/or form to make up the image. Hue and color distractions are gone. Only the shapes or forms made up by objects remain and can be arranged in such a manner that they draw the eye into or out of the photograph at the appropriate time and place.
4. Great B&W images tend to exploit contrast. The difference between the whitest white and the blackest black is the highest contrast point in the picture and this can be used to draw the viewer’s eye. Good contrast can help add depth and dimension as well.
5. Great B&W images rely on tone and texture to take the place of color and hue. This can be accomplished in many ways. Texture for instance can be enhanced with side lighting. Sometimes high ISOs are used to emulate film grain for more texture.
6. Great B&W images often rely on patterns to draw the eye into the subject of the photo. It helps form shapes and designate important elements in any B&W scene.
7. Great B&W images tend to minimize the background and accentuate the foreground. While this is not always true, if you look at the bulk of the work of some of the great old-time B&W masters, you’ll find this technique used in many of their images, particularly portraits.
~Scott Bourne from his article Seven Elements That Help Make A Great Black & White Photograph
Wishing you all a refreshing weekend!
Here’s a sample collection of boat images that I have used in my previous posts (some of them from my earliest postings – more than 560 so far in the last nine months). Thank you all for the visit, views, likes and follows during the boat week. I hope you enjoyed the images. Till next week when we embark on another picture series. Thanks!
My subject, the boy in his banca (local canoe), is out of focus. That is obvious enough. Well, I was in another banca rocking and swaying in that late afternoon when the waters were rising and the tides were becoming restless when I took this shot. I wasn’t in a stable and steady footing in the first place. When I reviewed this image in my computer I was tempted to delete it. However, I had second thoughts simply because taking the picture as a whole I thought was greater than the sum of its parts. The cloud formation, the colors of a sunset peeking through the horizon, the portion of an island, and the subtle green waters were enough to convince me to keep this. Maybe I exact a high standard for myself when it comes to image making, which is good as I see every photographic opportunity as a challenge. But heck, I don’t work for National Geographic hence my photos need not be perfect. In relation to that, my audience and perennial critic first and foremost is myself. A slightly blurred subject in a most captivating environment is, for me, passable. Why? Because I like it.